Divriği Great Mosque, located in Sivas province of Turkey, is a building that stands out with its unique architecture and historical importance. Reflecting the cultural richness and architectural mastery of Anatolia, this mosque is one of the most important examples of Seljuk period works. Divriği Great Mosque, which has hosted the traces of many civilisations over time, deserves an in-depth examination in terms of both religion and architecture.
Built in the early 13th century , this magnificent structure is considered one of the rarest examples of Turkish-Islamic architecture. The architectural features of Divriği Great Mosque show a great technical and aesthetic mastery of that period. The mosque attracts attention with its portal, mihrab and minbar, which are characteristic features of the Seljuk period. In addition, the carvings and decorations inside the mosque reveal the high level of art at that time.
One of the most striking features of Divriği Great Mosque is its double minarets, one of the richest expressions of Seljuk architecture in Anatolia. The fine workmanship and elegant details of the minarets reflect the architectural mastery of the period and add a distinct aesthetic value to the mosque.
This important structure is not only architecturally significant, but also harbours a historical story. There are various stories and legends about the construction of the Great Mosque of Divriği. These further increase the cultural and religious importance of the building.
Let’s analyse this magnificent architecture together.
- Divriği Great Mosque is a special example of Anatolian Seljuk art.
- The structural features and history of the mosque are of great interest.
- Divriği Great Mosque plays an important role in preserving Turkey’s cultural heritage.
- The embroidery and decorations of the mosque are worth seeing.
- Divriği Great Mosque is on the UNESCO World Heritage List.
Location and Geographical Features of Divriği Great Mosque
In this section, we will focus on Sivas, the city where the Great Mosque of Divriği is located, and the location of the mosque. Divriği Great Mosque is located in the Sivas province of Turkey. Sivas is located in the Central Anatolia Region and is known for its historical and cultural importance.
Divriği is a city famous for its natural beauties and historical buildings. The mosque is located in Divriği district, close to the district center. Divriği district is surrounded by sharp valleys and is surrounded by impressive mountain landscapes.
The geographical location of the Great Mosque of Divriği is also quite remarkable. The mosque is located in Pasha Neighborhood and is one of the most important and touristic places of Divriği. The mosque is easily accessible and close to the city center.
This impressive mosque is located at the foot of the mountains and is surrounded by green areas and natural beauty. Before reaching the mosque, visitors take a scenic journey through spectacular landscapes.
History and Construction Process of Divriği Great Mosque
Divriği Great Mosque is a historical mosque in Sivas province of Turkey. The construction of the mosque was started in the mid-13th century by Melike Turan Hatun, the wife of the Anatolian Seljuk ruler Mengücek Bey. It was completed by her son and ruler, Prince Ibrahim.
The period when the Great Mosque of Divriği was built coincides with one of the most brilliant periods of the Anatolian Seljuk Empire. The mosque has a special place among the religious buildings seen in Anatolia in the 13th century and maintained its religious and cultural importance until the Ottoman period.
The construction process proceeded step by step. First, it started with the construction of the foundation and walls. Then, the main structure, the mihrab and the minbar were built. Then, the construction of the dome was started and finally the exterior facade and decorations of the mosque were completed.
The best craftsmen and stonemasons of that period took part in the construction of the Great Mosque of Divriği. The construction process of the mosque took about 20 years and was completed with great care.
Historical Importance of Divriği Great Mosque
Divriği Great Mosque is considered one of the most important religious buildings of the Anatolian Seljuk period. While the mosque attracts attention with its architectural details and artistic decorations, it also has a great historical significance.
The mosque was included in the UNESCO World Heritage List in 1985. This is an indication that the cultural value of the mosque is recognized worldwide. In addition, various efforts are being made for the restoration and preservation of the Great Mosque of Divriği.
Structural Features of Divriği Great Mosque
| Yapısal Özellikleri | Açıklama |
|---|---|
| Mimari Stil | Anadolu Selçuklu |
| Inşa Tarihi | 13th century |
| Malzeme | Stone |
| Büyüklük | It consists of a large inner courtyard and a total of 5 sections with side chapels |
| Süslemeler | Various geometric and floral ornaments, reliefs and stone carvings |
Divriği Great Mosque is one of the most important cultural heritages of Anatolia thanks to its structural features and artistic value. Visitors to the mosque have a fascinating historical and architectural experience.
Plan and Facade Design of the Great Mosque of Divriği
Divriği Great Mosque is one of the largest and most important buildings of the period in which it was built. The plan design of the mosque is technically complex and aesthetically impressive. In addition, the exterior of the mosque is also decorated with great care.
The plan design of the mosque is remarkable. The mosque has a rectangular structure with four large pillars and three open courtyards. This plan layout ensures that every point of the mosque is equally reinforced and gives balance to the structure.
The exterior of the Great Mosque of Divriği was also designed with great care. The finely crafted stone carvings and reliefs add a unique beauty to the mosque. The friezes on the upper part of the façade show various geometric patterns and floral motifs.
The minarets of the mosque also have an important place in the exterior. The minarets of the mosque, which has two minarets, dazzle with their height and detailed decorations. These minarets create an elegant symmetry in the exterior appearance of the mosque.
The plan design and exterior decorations of Divriği Great Mosque are among the rarest examples of Anatolian Seljuk architecture. While these architectural features of the mosque fascinate visitors, it also has an important value for history and art lovers.
Interior Design of Divriği Great Mosque
In this chapter, we will focus on the interior design of the Great Mosque of Divriği. While examining the mihrab, minbar and other interior details of the mosque, we will draw attention to the impressive features of Anatolian Seljuk art.
West Gate
Although this gate is known by names such as Bazaar Gate, Exit Gate or Shaded Gate, more recently it is more commonly known as the “Textile Gate”. This gate, where fine stonemasonry is maximized, is reminiscent of a rug or prayer rug and exhibits a high degree of lace samples, hence the name. The most striking feature of the gate is the protruding keystone. Its surface is adorned with the motifs of a pot head, symbolizing blacksmiths.
The chief architect used the keystone method, which is the way the stones are interlocked and held together, throughout this work. In the central section, there are tulips and tulip leaves. Tulip motifs are used numerous times in various forms in this work. In Sufism, the tulip represents Allah because it grows as a single plant from a single bulb and symbolizes unity. Furthermore, the word “Allah” and the word “tulip” correspond to the same numerical value in the Ebalistic calculus, namely 66. The three-line inscription above the door reads, “Ahmet Shah, son of Suleyman Shah, son of Shahin Shah, the humble servant in need of Allah’s forgiveness, the just lord, ordered the construction of this mosque in 626 (1228 A.D.), may Allah perpetuate his property.”
On the inside of the door, the columns on the right and left sides are balance columns. On the balance column on the right, the word of Allah is written horizontally in its original Arabic text, while on the column on the left, the word of Allah is written at an angle. Until the Erzincan earthquake of 1939, these columns rotated in the direction of the arrows on them. Between May and September, 45 minutes before the Asr prayer, a shadow in the form of a human silhouette appears at the west gate. At first this silhouette resembles a person reciting the Qur’an, and when the time for prayer approaches, it resembles a person standing on the qiyam with folded hands. Experts say that these silhouettes found on this and other doors are not coincidences, but on the contrary, they can be made with a very comprehensive knowledge of physics and fine calculations, and even today, the secret of these light and shadow plays has not been fully solved.
On the outside of the door, there is a double-headed eagle on the right side and a double-headed eagle and a falcon with its head tilted forward on the left side. The double-headed eagle is a symbol representing the Anatolian Seljuks. It symbolizes power, nobility and freedom. The falcon with its head tilted forward is the symbol of the Mengücek Principality. In order to show the Mengücek Principality’s loyalty and respect to the Anatolian Seljuk Empire, the falcon figure was carved in stone with its head bowed forward. At the same time, one of the falcon’s claws is in the air, a sign that the principality could show its strength against injustice.
Heaven Gate
In this work, where each gate has a different beauty, the most magnificent and splendid gate is the Cennet Gate. Although the gate is known as Kale Gate because it faces the castle, North Gate because it faces north, and Cümle Gate because it is used as the entrance gate of the congregation, the most widely known and used name is Cennet Gate. It is so named because the motifs on it depict paradise. The unique depictions of the blessings of paradise in the Holy Quran are engraved here on stone. The motifs are as wonderful and unique as the paradise that is meant to be described. The entire door is likened to a garden of paradise, depicting the layers of heaven and paradise.
The star border on the right side bears the phrase “May the happiness, sovereignty and bliss of the just sultan be eternal”, while the symmetry is inscribed with the part of the Ayat al-Kursi meaning “There is no god but Allah, only He exists”. The inscription at the summit reads “In the time of Alaeddin Keykubat, Sultanu’l-muazzama, vice-caliph”. Since the principality that built this mosque was affiliated to the Seljuk State, it glorified the Seljuk Sultan Alaeddin Keykubat by placing the name of the sultan especially on the Heaven Gate.
There are tree of life motifs and rosettes expressing eternity on the door. The tree of life motif symbolizes eternity, the afterlife and paradise. In addition, the motif of cauldrons with fire burning underneath reminds us of hell, albeit to a lesser extent. While cauldrons with fire burning underneath were actually a symbol of abundance and fertility in the Anatolian Seljuks, they were also used to depict hell in this gate. No motifs were embroidered on the columns above the cauldron, emphasizing that hell is empty and heaven is full of beauty.
The inscription of the door is one of the rarest parts of the building. The inscription is composed of five main parts, written in floral ornaments and enclosed in a marvelous frame. The inscription reads “Ahmet Shah, son of Suleyman Shah, a humble servant in need of Allah’s forgiveness, ordered the construction of this mosque in one of the months of 626 Hijri”, while the motif of “rose” in the first part and “nightingale” in the last part expresses the purpose of the construction of this work: The rose symbolizes the Prophet and the nightingale symbolizes his love for Allah.
Shah Gate
The Shah Gate is full of meaning that resonates with historical depths. This gate was built in the eastern part of the mosque in a Seljuk style that is far from ostentatious but aesthetically fascinating. This gate, which has survived to the present day with its skeleton, is the symbol of a gateway through which the Shah crosses the threshold of worship at the entrance to the mosque. Continuing the tradition of the “hünkâr gate” of the Ottoman period, this structure is not only an entrance, but also carries a depth of meaning.
It is no coincidence that this door is smaller than human height. As a symbol of humility and servitude, it invites one to humble oneself and emphasizes that the Shah bows only before Allah. Hünkâr gates and hünkâr mahfils were designed not only to separate the leaders from the congregation, but also to protect them from potential danger. The inscription on the door carries a sacred message, reminding the Shah of the true owner of the property each time he enters: “The property belongs to Allah, the Almighty and the One.” These words remind us that He alone is the true owner of worship and existence, creating an atmosphere of humility on the sacred ground of the mosque.
Darussifa
Throughout history, names such as şifahane, bimarhane, darüşşifa have been used for buildings that fulfill the function of hospitals. Divriği Şifahanesi has survived to the present day as one of the oldest and most important of the darüşşifas in Anatolia. During the Ottoman period, it also served as a madrasah where positive and religious sciences were taught.
Built based on the Central Asian Turkish architectural tradition, the Shifahane has a rectangular plan in the east-west direction. Constructed of cut stone, it has a closed courtyard and three iwans; the west wing is double storeyed. The most prominent covering system of the main iwan is the star vault. In addition, barrel, pointed, mirrored, cross, plus and star vaults were also used in the structure. The courtyard is surrounded by decorated columns and divided into nine sections with double-directional archways. The central section is covered with a dome with glazed iron joinery where the barrel vault arms on both sides meet the octagonal pulley with corner stones in the middle.
Darüşşifa Crown Door
The entrance gate of the Darüşşifa, a magnificent structure, is known as the “Crown Gate”. There are pentagonal and octagonal stars decorated with Seljuk motifs on the inner pediment of the door. The star and crescent motifs on the door are the same as the symbols on the Turkish flag. The column dividing the window in the middle is known as the “balance column”. The chief architect designed a total of three balance columns for this door and the western door in the mosque section. These columns indicate that the buildings were in balance. However, after the Erzincan earthquake in 1939, they lost their rotational properties.
Between the crescents on the right and left sides of the balance column at the crown gate are hexagonal stars known as the seal of Süleyman. Below the column is a three-line inscription written in Seljuk sülüs script: “Melike Turan, the daughter of Fahrettin Behram Shah, the humble servant in need of Allah’s forgiveness, the just melike ordered the construction of this healing house in 626 H/1228 M.” On the right and left sides of the door, there are human figures worn over time on the relief rosette-shaped floral motifs.
Darussifa Interior
The interior of the healing hospital, which has a general hospital planning, presents an environment where mental and nervous patients were treated. Inside, there are patient rooms on the left and right, small iwans and a large iwan directly opposite the main entrance door. The chief architect provided an acoustic balance with fan motifs and vaulting in the large iwan.
The recitation of the Holy Qur’an, the performance of Sufi music, and the sounds of water flowing into and out of the pool in the center are among the techniques used in the treatment of mental and nervous patients. These sounds were arranged to be transmitted to the patient rooms to the right and left of the Darüşşifa, thus providing the necessary tranquility for the patients inside. The ceiling of the great iwan was built with a spiral keystone system, an example of a vault that still remains a mystery today. The chief architect engraved his name on a piece of his work, modestly engraving it on the head of the eastern arch carrying the vault of the great iwan and praying for the future fate of his work.
Mausoleum
In the room to the left of the great iwan, inside the sacred space, are the tombs where Ahmet Shah, his beloved wife Turan Melek and his loved ones rest in peace. Above the entrance door of the mausoleum, there is a motif decorated with mystical symbols with deep meaning. This motif is depicted as a coffin lid and when analyzed in detail, it resembles a scale in which hearts are weighed. In addition to the point where the balance bar of the scale meets, an inverted heart figure is carved. The profound message conveyed by this symbolism is quite succinct: “We are temporary guests in this world, and in the end we will all go the same way.
Life is a place of tests and the results of these tests will be seen in the Hereafter. Therefore, you need to prepare yourself spiritually for the days to come. There is a scale on which every action you do will be weighed, but it is not your material possessions that will be weighed, but the intentions of your heart. Man chooses between good or evil, righteousness or wrongness, and so on. If one keeps the scales in balance while making these choices and if one’s heart is directed towards Allah, one need not fear death.” These aphoristic statements take visitors on a spiritual journey and create a thought-provoking atmosphere.
Minbar
The pulpit, made of ebony wood, the longest-lasting wood in the world, is the same age as the mosque and is still in use today, preserving its original form. It is one of the magnificent examples of the kündekâri technique among the minbars built during the Anatolian Seljuk State period. The master who constructed the pulpit used wooden nails at the joints, while he preferred iron nails to increase the strength and concealed the heads of these nails. This pulpit is an important work that brings together four different styles of woodworking. Although it is similar to its contemporary counterparts in terms of general form and ornamentation, it stands out with the variety of relief inscriptions. There are a total of 21 Arabic texts in the writing bands on the minbar; 3 of them are inscriptions and 18 are verses and hadiths. The texts are written in a type of script called Seljuk Sülüsü and decorated with floral motifs.
The pulpit is not just a place of prayer for worshippers, it is also an architectural masterpiece. The construction process of the minbar is full of details that the craftsmen skillfully crafted, which amazes those who see it. Each process and ornament represents a legacy from the past to the present. The pulpit is an important structure that reflects the spirit of the mosque and is a source of spiritual peace and inspiration for worshippers.
Ibrahim oglu Ahmet from Tbilisi, the master of the construction of the minbar, which took approximately 12-13 years, engraved his name in the dodecagonal star on the mihrab side. This detail shows the devoted work and artistic talent of those who contributed to the construction of the pulpit.
Mihrab
The large stone mihrab is a unique work with its form and decoration reminiscent of a castle gate or a palace gate. The mihrab is a niche with a pointed arch and is made remarkable by the deep and large moldings of the rumi shapes seen on the doors. Although simplicity is observed in general, the interior of the mihrab above the eye level is embroidered in three dimensions. Inverted and hollow hearts are placed at the bottom, inverted but filled hearts are placed in the middle, and a tulip motif is placed in the middle of the elifs of the word Allah at the top.
All the hearts on the mihrab are directed towards the word Allah. The fact that the hearts that are close to Allah are filled with the light of Allah and the hearts that are far away are engraved as empty is a form of expression that symbolizes the relationship between the servant and Allah. There are four small windows in the dome above the area in front of the mihrab. Three of them are ingenious star-shaped small windows that bring the first light of the day inside in the form of a morning star at dawn.
The mihrab is the center of worship and one of the most special and sacred points of the mosque. This sacred structure, which allows worshippers to spiritually come together and turn towards Allah, was built with architectural mastery. The majestic design of the mihrab reflects a tradition from the past to the present, while the details and embroideries on it are full of religious symbols, making it more than just a building, but a structure with meaning. The distinctive aesthetics and symbolism of the mihrab offer worshippers a profound spiritual experience and bring them closer to Allah.
| Interior Details | Design Features |
|---|---|
| Mihrab | Skillfully crafted geometric patterns and examples of calligraphy |
| Minbar | Mastery of woodwork and elegant details |
| Decorations | Herbal motifs, geometric patterns and calligraphy |
The interior design of Divriği Great Mosque is an original and impressive example of Anatolian Seljuk architecture. This design enhances the aesthetic value of the mosque and offers visitors a historical and cultural journey.
Embroidery and Decorations of the Great Mosque of Divriği
The historical and architectural beauty of the Great Mosque of Divriği is as important as its embroidery and decorations. The detailed embroidery on the walls of the mosque reflects the original and impressive examples of Anatolian Seljuk art.
The embroidery on the walls of this magnificent mosque is decorated with carefully selected motifs and patterns. Among the ornaments, floral motifs, geometric shapes and various figures stand out. In these embroideries, the technique of carving the stones in relief and then painting them was generally used.
The embroidery on the walls of the Great Mosque of Divriği not only enriches the interior of the mosque, but is also an aesthetic and symbolic expression of Islamic art. These rich embroideries add depth to the spiritual atmosphere of the mosque and fascinate visitors. The mihrab, minbar and domes of the mosque are also elaborately carved and decorated.
The embroidery, mostly in green, blue, red and gold colors, makes the interior of the mosque sparkle. The details and motifs used in the patterns represent symbols of Islamic culture and inform visitors about religious teachings. These embroideries are important examples of Islamic art and the Anatolian Seljuk period.
The embroidery and decorations of the Great Mosque of Divriği are an important part of Turkish history and art. This extraordinary craftsmanship and detailing has earned the mosque worldwide recognition and contributed to its inscription on the UNESCO World Heritage List.
| Embroidery | Details |
|---|---|
| Herbal Motifs | Vegetal motifs carved on stones |
| Geometric Shapes | Patterns using different geometric shapes |
| Religious Symbols | Figures symbolically representing Islamic culture |
| Colors | Use of green, blue, red and gold colors |
The embroidery and decorations of the Great Mosque of Divriği emphasize its history and cultural significance. This detailed and impressive craftsmanship increases the value of the mosque as a work of art and impresses everyone who visits the mosque.
Domes and Minarets of the Great Mosque of Divriği
Divriği Great Mosque is a remarkable building with its impressive domes and minarets. This building has a great architectural importance and has remarkable details.
One of the most remarkable features of Divriği Great Mosque is its domes. Located at the four corners of the building, the domes have a unique design. Each dome is decorated with intricate geometric patterns and detailed embroidery. These domes give the mosque a majestic structure.
Minarets are also an important part of the Great Mosque of Divriği. The mosque has two minarets, which are also of remarkable architecture. The minarets add a great aesthetic to the exterior of the mosque with their tall structures and embroidered designs.
| Domes | Minarets |
|---|---|
| Impressive design | High-rise buildings |
| Detailed processing | Embroidered designs |
| Majestic structure | Aesthetic addition |
The domes and minarets of the Great Mosque of Divriği are important elements reflecting the characteristics of Anatolian Seljuk architecture. These structural details emphasize the historical and artistic value of the mosque.
Stonework and Decorations of the Great Mosque of Divriği
The unparalleled beauty and unique architecture of the Great Mosque of Divriği has details that only those who carefully examine it can notice. In this section, we will discuss the stonework and decorations of the mosque in detail.
Stonework and Carving Details
The stonework on the walls of the Great Mosque of Divriği draws attention with its fine details and elegant carvings. The embossed stones, geometric patterns and plant motifs on the exterior of the mosque are among the most beautiful examples of Anatolian Seljuk art. The details engraved on each stone reveal the skill and craftsmanship of the masters.
In the interior of the mosque, the carved wooden mihrab and minbar are identified with stonemasonry. These carvings, shaped by the meticulous work of stonemasons, create a mystical atmosphere inside the mosque.
Mosaic and Ceramic Decorations
The decorations of the Great Mosque of Divriği are not limited to stonework. The mosaic and ceramic decorations in the interior of the mosque are also fascinating. The colorful mosaics adorning the walls come together with various geometric patterns to create a visual feast. Ceramic tiles create a unique atmosphere in the interior of the mosque.
The stonework and ornaments of the Divriği Great Mosque reflect a unique accumulation of arts and crafts in Anatolia. Each of these fine details emphasizes the value and uniqueness of the mosque.
| Stone Workmanship | Mosaic Decorations |
|---|---|
| Elaborately carved stone details | Walls decorated with colorful mosaics |
| Geometric patterns and plant motifs | Combination of various geometric patterns |
| Wood carvings in the interior | Unique atmosphere created with ceramic tiles |
The decorations of the mosque fascinate visitors and draw attention to an important heritage reflecting the art of the Anatolian Seljuk period.
Divriği Great Mosque and Anatolian Seljuk Art
Divriği Great Mosque is one of the most important examples of Anatolian Seljuk art. The mosque reflects the aesthetic and technical features of this period in many aspects. Divriği Great Mosque, an impressive piece of Anatolian Seljuk art, stands out with its style, details and architectural features.
The architectural style of the Great Mosque of Divriği reflects the characteristic features of the Anatolian Seljuk period. The mosque’s use of cut stone, its domes and minarets, its exterior decorated with geometric patterns and the details of its interior reflect the unique style of Anatolian Seljuk art. The colors, patterns and motifs used provide a powerful expression that reflects the aesthetic understanding of the period.
Techniques of Anatolian Seljuk Art
The Anatolian Seljuk period is a period in which various techniques were used in architecture and ornamentation. Divriği Great Mosque is an example where these techniques were successfully applied. The stonework, carved motifs, reliefs and walls decorated with geometric patterns show the skill of the masters of the period. The techniques used in the cutting and arrangement of the stones ensure the durability and elegance of the mosque.
Architectural Features of the Mosque
The architectural features of the Great Mosque of Divriği include many remarkable details. The mosque has double minarets, a large dome and a complex plan arrangement. The stone carvings on the dome and the elegant design of the minarets give the mosque a fascinating appearance.
| Architectural Features | Explanations |
|---|---|
| Double Minarets | It is one of the characteristic features of the Great Mosque of Divriği. The minarets give the mosque a symmetrical balance and a majestic appearance. |
| Great Dome | The large dome over the mosque is a remarkable architectural feature. The design and workmanship of the dome shows the mastery of Anatolian Seljuk art. |
| Plan Arrangement | The plan arrangement of the mosque has a remarkable complexity. It is a building with a mihrab, minbar and other important sections. |
We can say that Divriği Great Mosque is a valuable example of Anatolian Seljuk art. The architectural features, techniques and aesthetic values of the mosque reflect the artistic understanding of the Anatolian Seljuk period. For this reason, the mosque is a great center of interest for both art historians and tourists.
Restoration and Preservation of the Great Mosque of Divriği
Divriği Great Mosque is a building that has undergone significant restoration processes throughout history. In this section, we will examine the restoration and current conservation efforts. We will focus on the efforts made to preserve the historical value of the mosque and pass it on to future generations.
The Great Mosque of Divriği has been subjected to various restoration processes throughout history. In these processes, physically damaged parts of the mosque have been repaired and the structure has been strengthened. As the mosque is a typical stone structure, damage to the stonework required careful restoration to combat erosion and environmental impacts.
“The restoration process of the Great Mosque of Divriği is of great importance to preserve its historical value and pass it on to future generations. In addition to preserving the original structure of the mosque, the restoration projects also observe modern conservation standards.”
Conservation Works of Divriği Great Mosque
- The restoration works of the mosque are carried out by expert teams and committees.
- During the restoration process, the use of original materials and the application of traditional techniques are among the primary objectives.
- Detailed research and analysis are carried out to determine the current condition and damages of the mosque.
- In the restoration project, preventive measures are taken to strengthen the structure of the mosque and prevent future damage.
The conservation work of the Great Mosque of Divriği does not only include physical restoration. The mosque is also regularly landscaped and maintained. Along with environmental cleaning, plant care and landscaping, the security of the mosque is also prioritized.
The restoration and conservation work at Divriği Great Mosque is of great importance to preserve the history and cultural value of the mosque for future generations. Thanks to these works, the mosque offers visitors a unique experience while preserving our history and heritage.
Cultural and Touristic Importance of Divriği Great Mosque
Divriği Great Mosque is a building of great cultural and touristic importance. One of the most important monuments of the Anatolian Seljuk period, the mosque is a heritage of history and art that attracts the attention of Turkey and the world.
The cultural significance of the mosque offers us a great opportunity to understand the tradition of art and architecture in Anatolia. The Great Mosque of Divriği is remarkable for its rich details, elaborate decorations and fine embroidery. With these features, it proves to be one of the best examples of Anatolian Seljuk period architecture.
From a touristic point of view, Divriği Great Mosque is a major attraction for domestic and international tourists. With its historical, cultural and aesthetic values, the mosque offers visitors a unique experience. The mosque’s magnificent structure, interior design and detailed decorations dazzle tourists.
“Divriği Great Mosque is a unique treasure of Anatolia. It welcomes thousands of visitors every year with its historical and artistic value. The cultural and touristic importance of the mosque stands out as a part of Turkey’s rich cultural heritage.” – Minister of Culture and Tourism
The cultural and touristic importance of the Great Mosque of Divriği emphasizes that its values should be protected and transferred to future generations. Therefore, the restoration and preservation of the mosque is of great importance. Both domestic and international conservation organizations are actively working for the preservation of the Great Mosque of Divriği.
The cultural and touristic importance of the Great Mosque of Divriği is a value that attracts the attention of Turkey and the world. This monumental structure attracts history and art lovers and offers an unforgettable experience for tourists.
Divriği Great Mosque and UNESCO World Heritage Site
The extensive architectural value and historical significance of the Great Mosque of Divriği has earned it international recognition and protection status. In 1985, the mosque was inscribed on the UNESCO World Heritage List and is recognized as one of the most important works of Anatolian Seljuk art.
Being included in the UNESCO World Heritage List was an important step for the worldwide recognition and protection of the Great Mosque of Divriği. Being on this prestigious list provides international recognition of the cultural and historical value of the mosque.
Divriği Great Mosque’s inclusion on the UNESCO World Heritage List brings a number of advantages. These include the potential to attract more tourists and visitors to the mosque, compliance with international conservation standards, and opportunities for cultural exchange and cooperation.
UNESCO’s work to protect the Great Mosque of Divriği is also making an important contribution. International experts and restoration teams are working diligently to preserve the structural integrity of the mosque and restore its original features.
The recognition of the Great Mosque of Divriği as a World Heritage Site by UNESCO emphasizes that the mosque is not only the common heritage of Turkey, but of the whole world. This further increases the cultural and historical importance of the mosque.
Visitors and Reviews of the Great Mosque of Divriği
Divriği Great Mosque is a fascinating structure that attracts thousands of visitors every year. Tourists and researchers can experience the beauty and history of this unique structure by visiting the mosque. Their experiences and studies further emphasize the value and impact of the mosque.
Visiting tourists are impressed by the majestic architecture and elaborate decorations of the Great Mosque of Divriği. The majestic domes, elegant minarets and the carvings and patterns on the walls show visitors that it is a fascinating example of Anatolian Seljuk art. At the same time, the beauty of the mosque’s interior and embroidery also captivate tourists.
“Visiting the Great Mosque of Divriği was an unforgettable experience for me. It was really impressive to see such detailed and meticulous workmanship. The decorations and carvings on the walls of the mosque are a real treasure for art and history lovers.”- Ahmet Yılmaz, art lover
Researchers also obtain important information while examining the Great Mosque of Divriği. The history, architectural features and structural details of the mosque shed light on an important period of Anatolian Seljuk art. Through their research, they are better understanding and documenting topics such as the construction process and stonework of the mosque.
Visitors to the Great Mosque of Divriği are amazed by its enchanting atmosphere and richness. The cultural and historical value of the mosque is further enhanced by the study of the significance of this magnificent structure in Turkey’s and the world’s cultural heritage.
Frequently Asked Questions About Divriği Grand Mosque
What are the architectural features of Divriği Great Mosque?
Divriği Great Mosque is a building belonging to the Anatolian Seljuk period and is architecturally unique. One of the most striking features of the mosque is its stonework and decorations. The carvings, reliefs and other decorations on the walls are quite impressive. The domed structure of the mosque and its minaret are also remarkable.
Can you give information about the history of Divriği Great Mosque?
Divriği Great Mosque is a mosque built in the 13th century. It was built by the Anatolian Seljuk Sultan Gıyaseddin Keyhüsrev III. The construction process and history of the mosque is quite interesting.
Where is Divriği Great Mosque located?
Divriği Great Mosque is located in Sivas province. The mosque is located in Divriği district.
What is the place of Divriği Great Mosque in Anatolian Seljuk art?
Divriği Great Mosque is one of the most important examples of Anatolian Seljuk art. The architectural structure, decorations and other details of the mosque reflect the artistic characteristics of the Anatolian Seljuk period.
Can you give information about the restoration works of Divriği Great Mosque?
Divriği Great Mosque has undergone various restoration works throughout history. Various studies have been carried out to protect and restore the mosque. You can have detailed information about the restoration process of the mosque and today’s conservation efforts.
What opportunities does Divriği Great Mosque offer for tourists and researchers?
Divriği Great Mosque is an important attraction for tourists and researchers. Tourists visiting the mosque can discover its historical and artistic values. Researchers can conduct various researches by examining the mosque.
My Thoughts About Divriği Great Mosque
Divriği Great Mosque is one of the unique historical and cultural treasures of Anatolia. Bearing the traces of the civilizations that have lived in these lands for thousands of years, this magnificent structure is not only a place of worship, but also an architectural and artistic masterpiece. Throughout our review, we have provided a detailed overview of the history, architecture, decorations and cultural significance of the Great Mosque of Divriği.
This magnificent structure is a first-class piece of architecture that reflects the rich aesthetics of the Seljuk period. It attracts attention both with its stone workmanship and wooden details. The impeccable craftsmanship and geometric patterns in the interior of the mosque offer visitors an extraordinary aesthetic experience.
The inclusion of the Great Mosque of Divriği on the UNESCO World Heritage List is a testament to the international recognition of its cultural and historical value. As part of Anatolia’s rich and diverse cultural past, this mosque should be preserved and preserved for future generations.
If you haven’t read it yet, you can also check out our review of Atatürk Cultural Center – Renewed Art…
Architect: Unknown
Architectural Style: Anatolian Seljuk Architecture
Year: 1228
Location: Divriği, Sivas, Turkey